Toronto | October 23 - 26, 2025
Shelagh Howard’s The Secret Keepers traces the hidden terrain of intimate partner abuse through an intentionally arduous, seven-stage process. Integrating long exposures, tintypes, and silver prints, the work holds and mirrors cycles that index those of abuse and survival. What remains visible is as important as what is lost—each obliteration and trace reflecting the erosion and reclamation of self.
In Simulacrum, time becomes elastic. Freestanding wet plate and plexiglass sculptures combine human forms, objects, and scenes in both positive and negative, allowing viewers to move through, around, and within moments, perceptually constructing new ones. Rejecting the “decisive moment,” the work opens a multiplicity of timelines where perception folds into perspective and back again.
In Distorted Flesh, Sally Buck commits contested botanicals to layered refractions using water, glass, and lenses. Foregrounding the body as both a site of pleasure and a subject of political forces, the project takes its cue from feminist phenomenology. The resulting glitchy imagery—born of light rather than code—resists prescribed objectivity, offering instead a deeply subjective and sensorial field of vision.
Opening Night | October 23 | 6-9 pm |
Gallery Viewing | October 24 | 12-5 pm |
Workshop: Looking to See | October 25 | 12-5 pm |
Artists in Dialogue | October 26 | 12-5 pm |
Gallery Hours
October 23 6-9 pm
October 24 12-5 pm
October 25 12-5 pm
October 26 12-5 pm